Mia smiled, slipped the phone into her pocket, and walked into the light.

She turned to thank the driver. The cab was gone. In its place, a single wet petal from a cherry blossom—out of season, out of mind—stuck to her coat.

The cab moved before she shut the door. It glided through traffic like a needle through silk—cutting gaps that didn’t exist, sliding through yellow lights that held just long enough. The screen showed not a route, but a single phrase:

Mia blinked. The bus shelter’s fluorescent tube flickered—then held steady, humming louder than before. A moment later, an old yellow taxicab rolled up. Not a Prius, not a Tesla. A real, slightly beat-up Checker Marathon, the kind that smelled like vinyl and forgotten secrets. The back door swung open on its own.

Inside, there was no driver. Just a warm cup of jasmine tea in the cup holder, and a small screen embedded in the seatback.

At 4th & Main, the cab stopped. The rain, impossibly, parted around the door. Mia stepped out onto bone-dry pavement. Ahead, through the gallery’s glass doors, she saw the curator checking his watch, then looking up with relief.

She typed: Need to get to Pioneer Square. 4th & Main. In 10 minutes. My work is there. I can’t let the rain win.