Alison Mutha Magazine Article 99%

Photography: Jordan Reed Styling: Marcus Chen

The result is her first solo gallery show, “A Kindness of Crows,” opening this November at Regen Projects in Hollywood. The paintings are massive, brooding landscapes where the horizon is always a little crooked. Crows appear in every frame—sometimes as observers, sometimes as the landscape itself. “A group of crows is called a ‘murder,’” she notes. “But I think that’s wrong. When I was out there, they kept me company. They reminded me that solitude isn’t loneliness. It’s just a different frequency.” When asked for advice for other creatives who feel the pressure to perform, Mutha leans forward. Her hands are stained with ink and turmeric. She smells like cedar and ozone.

Alison Mutha’s memoir, “The Third Setting,” is available for preorder now. Her show “A Kindness of Crows” runs Nov. 15–Jan. 10 at Regen Projects, Los Angeles. alison mutha magazine article

Why you haven’t heard her name yet—and why you won’t forget it now.

That duality never left her. After dropping out of the Rhode Island School of Design (she was three credits shy of a degree in textile design), she drifted into the world of culinary pop-ups. But these weren’t just dinners. They were installations . For one event in a derelict Silver Lake laundromat, she served a seven-course meal inside the dryers, each course paired with a specific spin cycle. Critics called it “pretentious.” Mutha called it “the only way to get the sourdough to rise at that altitude.” But success, even niche success, has a hangover. By 2022, Mutha was exhausted. The pop-ups had garnered a cult following (Beyoncé’s stylist once flew a plate of her koji-cured egg yolk to Paris), but Mutha had stopped sleeping. “I was making art for the algorithm. For the ‘in-the-know’ listicle. I realized I hadn’t drawn a single thing for myself in three years.” Photography: Jordan Reed Styling: Marcus Chen The result

And in an age of AI-generated scripts, ghostwritten op-eds, and algorithmic anxiety, maybe that is the most radical act left.

“I don’t know if any of it will matter,” she admits, smiling as a crow—no, really—lands on the balcony railing behind her. “But at least it will be mine .” “A group of crows is called a ‘murder,’” she notes

She bought a crumbling Airstream, drove it to the Mojave Desert, and did something radical: nothing. For six months, she watched shadows move across the sand. She learned to whittle. She wrote letters to her dead grandmother by candlelight. And when she finally picked up a brush again, the work was different. Darker. Slower. More honest.