Let’s be honest: you are already humming the songs. Howard Ashman’s lyrics are Shakespearean for children. “Be Our Guest” is a Busby Berkeley-style fever dream of choreography. “Something There” is the most realistic falling-in-love montage ever put to music—full of awkward glances and sudden realizations. And “Beauty and the Beast” (the Angela Lansbury version, not the Celine Dion pop cover) is a lullaby for heartbreak. It’s the sound of time standing still.
The animation of the Beast is staggering. Disney’s animators gave him the bulk of a bison, the mane of a lion, the tusks of a boar, and the posture of a depressed bear. He isn’t cute. He is terrifying. And yet, when he awkwardly holds a spoon of soup, or tries to smile with a mouth full of fangs, or acts like a child destroying a rose garden in a tantrum, you see the 11-year-old prince trapped inside.
If I had to nitpick: The Enchantress’s logic is cruel. Cursing an 11-year-old prince for not letting a hag in out of the rain? That’s harsh. Also, the final transformation scene, while beautiful, undermines the film’s message. Belle fell in love with the Beast as a Beast. Turning him back into a handsome prince feels like a concession to the audience. I wanted her to kiss the fur. 123movies beauty and the beast
Rating: 10/10. A tale as old as time, and a perfect date night movie (yes, even on a laptop screen).
Beauty and the Beast (1991) is not just a children’s movie. It is a film about how true love is an act of will, not an accident of appearance. It teaches that libraries are sexy, that patience is a weapon, and that the real monster is usually the one holding the mirror, not the one hiding in the castle. Let’s be honest: you are already humming the songs
Because it’s a film you need to revisit every few years to see who you’ve become. Are you still the provincial girl dreaming of more? Or have you learned to see the prince inside the beast?
His transformation is not the magic spell at the end; it’s the moment he lets Belle go to save her dying father. He chooses her happiness over his own survival. That is love. That is heroic. And the tear-jerking “I let her go” moment is more powerful than any villain’s death. The animation of the Beast is staggering
Let’s talk about the villain, because Gaston is scarier now than he was in 1991. He is the handsome, charismatic, entitled populist. His song “Gaston” is a drinking anthem for fragile masculinity. He literally says: “It’s not right for a woman to read. Soon she starts getting ideas … and thinking .” In 2024, this character is terrifyingly relevant. He doesn’t want Belle; he wants the idea of Belle as a trophy. He leads a mob not out of fear of a Beast, but out of rage that a monster is loved when he is not. The climax—the rain-soaked fight on the castle rooftops—is a brutal, visceral piece of action animation.